I'm doing my final post a bit differently... I was using this table of contents as just a draft in Blogger to get quick access to previous posts, so I expanded it as my wrap up post to show how my paper came to be. Under the readmore I have organized a list of links to my previous posts with a brief explanation of what that post entails. It helped me see what posts were for my final paper, final project, and what had my curated content.
To read my finished product, "The Cycle of Awe" paper is here in a Google doc. Since my confirmed venue is 100 Dubliners, my paper will definitely be revised in the next couple months as I get more information on specific requirements for the conference (length especially, with more emphasis on Dubliners and cutting back my other paragraphs). Any suggestions would be great! But I am very happy with how this turned out for class, and did not want to chop down all my research when it had been so much fun putting together. Enjoy! And thanks for the help this semester. It was definitely the capstone to my BYU education.
Showing posts with label reiterating awe. Show all posts
Showing posts with label reiterating awe. Show all posts
Tuesday, April 15, 2014
Wednesday, April 9, 2014
Cycles of Awe - Venue Research
One venue I have chosen is the 100 Dubliners Conference. Below the readmore you can see the research I've put into picking this venue for my final paper. I may have to revise my paper to keep to the topic (if my proposal is accepted) but because my paper is long enough for this venue and the potential children's venues I'm still researching, I think the editing would be simple enough so my paper could be split to work for both.
Monday, April 7, 2014
Cycles of Awe - Paper and Project Final Updates
Final Paper Update: Here's my draft of my paper. Any comments and feedback would be brilliant. I don't know what my limit is exactly because the 100 Dubliners conference does not have any information about length, and the Journal for Children's Literature typically has submissions around ten pages long.
Next Steps for Paper:
Next Steps for Paper:
- Working on finalizing my thesis to a strong, coherent statement (which in turn will greatly help solidifying my currently sappy conclusion)
- Editing and revising transitions between paragraphs
- Editing and revising in general to fit the paragraphs together cohesively (especially the cycle of awe paragraph, intro and conclusion)
- Filling out and developing my Dubliners and Psychoanalysis sections. Definitely. But I think with what I have so far, it would be great to get feedback on the following question before I finalize my paper and ideas.
- Main questions
- Does it make sense?
- Is there enough research to support conclusions?
- Is there too much babble about Romantic ideas in between thesis driven paragraphs?
- Do I need more evidence from the text?
- What points are weak?
- Is it too much theory and not enough concrete evidence?
- Do I keep the hero's journey idea? If I do, I need to integrate the ideas in the paragraphs more or create another section to talk about that specifically. Which would be better?
- Do I need to keep the psychology aspects? Should I add more to the psychology?
Sunday, March 30, 2014
Cycles of Awe Project: Prototype Three
I have my three poems completed. I plan on putting them on my own personal blog (my personal angle) and on Google+ with tags specific to my topic. Hopefully this generates interest and responses from relevant and interested online communities. Any comments or suggestions are welcome.
Cycles of Awe Audiences
Audiences for my scholarship and targeted outlets for my final paper. Hopefully these are good sources to go after. If anyone else has any ideas for people/scholars/venues looking for topics concerning children's classic literature (namely Peter Pan and Alice and Wonderland), as well as Dubliners, or the psychology of awe would be great.
Cycles of Awe Bibiography
(sorry this post is so late. I'm doing massive catch up after a long two weeks)
Working Thesis
People experience cycles of awe (similar to how characters experience the hero's journey [ps thank you +Greg for the comment about the heroic journey]) for two reasons: first, to return to personal sources of awe because of their psychology, as these sources provides for a spiritual enlightenment, comfort, or resolution; second, whether accidentally or purposefully, these cycles continue because people become stuck in an ever circling loop without ever reaching an enlightened, comforted, or resolved state.
Working Thesis
People experience cycles of awe (similar to how characters experience the hero's journey [ps thank you +Greg for the comment about the heroic journey]) for two reasons: first, to return to personal sources of awe because of their psychology, as these sources provides for a spiritual enlightenment, comfort, or resolution; second, whether accidentally or purposefully, these cycles continue because people become stuck in an ever circling loop without ever reaching an enlightened, comforted, or resolved state.
Wednesday, March 19, 2014
Cycles in Awe Project: Prototype Two
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| My work in progress! |
Cycle One
Is it a wonder? She calls it Wonderland.
Curious and enthralled she wanders under
spells of caterpillar "who's?," Cheshire "where's?." And
is it a wonder
that one so young would cycle back to plunder
the cakes, rich teas, red queens, strange things odd yet grand?
She goes for fun but finds herself asunder;
madness would split her self in half. Yet she stands
anew. Sane. Tolerant. Aware. Her blunders
from asking "who I am" she can now withstand.
Is it a wonder?
Sunday, March 16, 2014
Cycles of Awe Treatment
Treatment of Final Paper: Click through for the Google Doc. Basically I will be examining the psychology of awe and how people go through cycles of awe as children or as adults, how we encounter awe differently, and what happens when we have an "awe moment" but do nothing with it.
Prospective Venue: I haven't found anything that exactly correlates with what I'm writing about, but I think I could swing my paper for these potential venues.
Prospective Venue: I haven't found anything that exactly correlates with what I'm writing about, but I think I could swing my paper for these potential venues.
- http://www.cfplist.com/ has a lot of options for current calls for paper. I highly encourage all of you to take a look if you're having problems finding venues.
- Scottish Studies is interested in readings of Peter Pan and perpetual childhood. Since I will be looking at Alice in Wonderland and Peter Pan in terms of perpetual awe and childhood, I think it could be interested in at least some aspects of my paper.
- SF/F Now is interested in exploring the current research into the fantastic and the ways in which fantasy and "the weird" grapple with and illuminate social issues. Since I will be talking about Wonderland and Neverland and why these places are sources in which children return to, I could talk about the social contexts of why people return to fantastical or "weird places" as sources of development or escape.
- 100 Dubliners invites any paper on Dubliners (since it's the 100 anniversary of the book) which is brilliant since a good portion of my paper will be analyzing several of the short stories contained in Dubliners.
- Previous post for possible venues is another collection of places I could look to for other venues if previous ones don't work.
What's Next: I need to start getting concrete details and proof for my points. Quotes, more analysis, maybe even more secondary sources that look at the psychology of Alice in Wonderland, Peter Pan, and Dubliners. I also need to make sure that my outline works and isn't just a list with too much explanation that loses the reader.
**side note: I think for my creative project I might do a roundel poem because those are a bit easier to write compared to reverse poetry or palindrome poetry. Same ideas will apply to this style of poem as they wound have with those other poetry forms as I mentioned in my comments to Tara and Greg.
Wednesday, March 12, 2014
Project Prototype One
| Creative Commons License 2.0 Road to Neverland by imsad |
My final paper will be examining the psychology of awe and the cycles of it. Why do we turn back to the same sources of awe (like Alice to Wonderland or Peter Pan to Neverland)? Do we get caught in a cycle of experiencing an awe moment, then returning to the mundane (like the people in Dubliners)? I want to incorporate these cycles, and have decided to take one, two, or all of the options below as my final project.
Option 1: Mirrored or Palindrome Poetry
In case you don't remember, a palindrome is a word, phrase, verse, or sentence that reads the same forward or backward. In a mirrored or palindrome poem, the words read the same backwards or forwards like in these two examples. I could try this and incorporate the books I'm going to explore as the subject.
Option 2: Reverse Poetry
Where reading a reverse poem, one direction tells one meaning, then reading it backwards tells another message. Just last week a teenager's reverse poem went viral on twitter. It would be brilliant to tell something about the cycles of awe reading negatively one way, then positively the next. I just have to really practice this style of poem.
Where reading a reverse poem, one direction tells one meaning, then reading it backwards tells another message. Just last week a teenager's reverse poem went viral on twitter. It would be brilliant to tell something about the cycles of awe reading negatively one way, then positively the next. I just have to really practice this style of poem.
Option 3: Circle Poetry
There are a couple different variations of circle poetry. There is visual poetry where I could write poems in circles or circular styles. This book contains one variation of visual circle poetry. It's very simple. This blog section is dedicated to another style, though some of these poems I have a hard time understanding. Another aspect to circular poetry includes repeating first and last lines, or coming back to the same places in the start and finish. I'd like to be able to do that too.
I could put these poems online with specific labels or tags under the creative commons license to give people access to them. Or I could write one of these poems and make a simple YouTube video to cultivate my ideas there too. Any thoughts would be great on how I could get these poems out there. Or if you have any idea of a specific audience to target that would be great too.
There are a couple different variations of circle poetry. There is visual poetry where I could write poems in circles or circular styles. This book contains one variation of visual circle poetry. It's very simple. This blog section is dedicated to another style, though some of these poems I have a hard time understanding. Another aspect to circular poetry includes repeating first and last lines, or coming back to the same places in the start and finish. I'd like to be able to do that too.
I could put these poems online with specific labels or tags under the creative commons license to give people access to them. Or I could write one of these poems and make a simple YouTube video to cultivate my ideas there too. Any thoughts would be great on how I could get these poems out there. Or if you have any idea of a specific audience to target that would be great too.
Friday, March 7, 2014
Venues for Me
I'm researching cycles of awe and the psychology of awe. I'm still deciding exactly which stories I will look at, which avenue I'll take, etc. I do know I want to look into James Joyce's idea of epiphany, possibly Alice and Wonderland, and psychoanalysis/psychology. Here's what I've found so far.
- The James Joyce Center. I found this website by searching #jamesjoyce on Twitter. This organization has reading groups, a blog, and a curated list of useful links to other resources concerning James Joyce and his works. This will help me find niche communities talking about the epiphany concept in Joyce's Dubliners, as well as bring me to other websites dedicated to facts about him and calls for papers.
- The International Association for the Study of Irish Literatures. I found this website by following several links from an initial site I found by Google searching "James Joyce call for papers." It has an entire list of call for papers that could be potential sources to submit final paper. It also has a section for research related to Irish studies that can lead to more communities talking about Joyce works.
- James Joyce Quarterly Blog. After searching "James Joyce call for papers" on Google, I also found this blog that has plenty of updates on upcoming Joyce-related activities and CFP. Again, this will help me enter the discussion of Joyce works and his idea of the epiphany.
- The Evolution of Wonderland. This website is dedicated to interpretations of the book Alice in Wonderland. It includes a post about psychoanalysis of Alice and her adventures in Wonderland. This will help me think in terms of psychology of awe, which I want to explore in my final paper. I found this website by searching "psychoanalysis Freud" in Google.
- Association for Psychological Science. I searched "awe in psychology" in Google+ and found several people linking articles from this association. The article that the link provided goes to talks about awe and psychology. This will be helpful in my research on the psychology related to awe, why there are cycles of awe, and why we return to these moments. It will help me find articles and journals by people who know more about psychology than I do.
Tuesday, March 4, 2014
Propaganda
When we had to search quick, accessible ways to tell serious information, I had a hard time finding creative ways people do that. Then I thought of propaganda. Both of those are effective means by which to tell a message. And there could be very little directly telling us what to think too.
Below are three decently known WWII propaganda posters. Though they do not say what the problem is with "someone talking" or "loose lips" directly, the art portrays the message. Talking about the navy (and other military departments) would provide opportunities for the enemy to hear and use that information to their advantage. The connotation suggests speaking is dangerous. Even without the accessibility of the internet, these posters stuck up all over cities were enough to get the message across the entire nation.
It may not be awe-inspiring, but as I research cycles of awe and the psychology behind it, I find it interesting that we cycle ideas or effective means of communication. Brian Moore (work shown below) took these old WWII propaganda posters and parodied them to be effective propaganda posters for today's time. He came back to the original sources of well known propaganda posters and used them again. What does that say about the new posters? Do you find it effective? What would have changed in terms of the message if he had just created new propaganda posters? I think because the idea of propaganda is heavily tied into WWII posters, that feeling is echoed in the new posters. Parody of old propaganda posters automatically brings a certain connotation to the new ideas being presented in Moore's work.
Posters, whether propaganda or not, must convey or sell a message immediately. Minimalist posters present an idea or message with minimal images or text. Billboards must be structured so that a passerby can see the message quickly. We cycle back to posters to tell a message because it can be effective and accessible.
Below are three decently known WWII propaganda posters. Though they do not say what the problem is with "someone talking" or "loose lips" directly, the art portrays the message. Talking about the navy (and other military departments) would provide opportunities for the enemy to hear and use that information to their advantage. The connotation suggests speaking is dangerous. Even without the accessibility of the internet, these posters stuck up all over cities were enough to get the message across the entire nation.
It may not be awe-inspiring, but as I research cycles of awe and the psychology behind it, I find it interesting that we cycle ideas or effective means of communication. Brian Moore (work shown below) took these old WWII propaganda posters and parodied them to be effective propaganda posters for today's time. He came back to the original sources of well known propaganda posters and used them again. What does that say about the new posters? Do you find it effective? What would have changed in terms of the message if he had just created new propaganda posters? I think because the idea of propaganda is heavily tied into WWII posters, that feeling is echoed in the new posters. Parody of old propaganda posters automatically brings a certain connotation to the new ideas being presented in Moore's work.
Posters, whether propaganda or not, must convey or sell a message immediately. Minimalist posters present an idea or message with minimal images or text. Billboards must be structured so that a passerby can see the message quickly. We cycle back to posters to tell a message because it can be effective and accessible.
Wednesday, February 26, 2014
Psychoanalyzing Awe
Psychoanalytic theory takes the psychology of people and puts it into literature. Whether you are looking at the author, the characters, or the reader, psychological analyses of people will help us understand the text and the people involved with a text. Understanding the psyche is key in understanding awe; more specifically, it will help us understand how one becomes susceptible to experiencing and re-experiencing awe by what they experience in reading or within life.
Psychoanalytic Theory
Psychological or psychoanalytic theory and criticism is based on Freud's analysis of the human psyche. There are three different models for analyzing the human psyche (Cowles):
Psychoanalytic Theory
| Freud Iceburg Model for the State of Mind Wikipedia Creative Commons License |
- The Dynamic Model: examines the relationship and interactions between the unconscious, preconscious, and conscious mindset; it looks at how what we are unaware of affects what we are aware of and vice versa.
- The Economic Model: focuses on the relationship between the pleasure principle (the unconscious seeking/getting instant gratification) and the reality principle (the conscious deciding what is realistically available/obtainable).
- The Topographical Model: looks at the interaction between the id (unrepressed, pure desire), the superego (the hyperactive conscience controlling us via morality and social norms), and the ego (the intermediary which keeps both the id and superego under control).
Saturday, February 8, 2014
Reiterating Awe (Presentation)
(if you want to go beyond the index cards, click the links for text support, sound effects, and visuals)
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| Wordsworth believed in sublimity in experience (like his revisit to Tintern Abbey). |
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| Today, preconceptions of awe restrict the terms in which one can experience awe. It's seen as a singular, extraordinary moment; it's a one time event found mind-blowing, terrifying, transcendent, or existential. |
Thursday, January 30, 2014
Reiterating Awe
In my first few posts and some Google+ updates, I've talked about movies, music, and art inspiring awe. It seems though that there is something about nostalgia and tiers of awe that have popped up in comment discussions on these posts and updates. What does that mean?
In my tutorial meeting, Dr Burton suggesting looking at reiterating awe, or how different forms of content can revisit moments of awe. So I wrote a bit about it in my wonder journal. Then I opened up this Google+ discussion asking "Reiterating awe? Tiers of awe? Theories?" Here are the responses I got:
In my tutorial meeting, Dr Burton suggesting looking at reiterating awe, or how different forms of content can revisit moments of awe. So I wrote a bit about it in my wonder journal. Then I opened up this Google+ discussion asking "Reiterating awe? Tiers of awe? Theories?" Here are the responses I got:
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